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Recent Posts

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  • A SHOW THAT CONVINCED ME THAT FRANZ WEST IS ONE OF THE GREATEST ARTISTS OF THE TWENTIETH CENTURY May 16, 2019
  • DON McCULLIN: THE PHOTOGRAPHER THAT PUT FASHION INTO REALISM WHEN AT HOME BUT WHEN ABROAD EMBRACED A ‘BRAVE’ WHITE MAN HUMANISM THAT REINSTATED THE IMPERIAL CLAIMS HE ALLEGEDLY OPPOSED March 24, 2019
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  • AT TURPS STUDIO, THEY FAILED AT TEACHING THEIR STUDENTS HOW TO PAINT BUT INSTEAD THEY GAVE THEM CLEAR DIRECTIVES ON HOW TO PRICE AND QUICKLY PUT THEIR WORK IN THE MARKET August 26, 2018
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  • OXFORD’S ASHMOLEAN PRESENTS SUDANESE ARTIST, IBRAHIM EL SALAHI AS POST COLONIAL MODERNISM BUT WHAT THEY REALLY MEAN IS FINANCIAL GLOBALISATION July 14, 2018
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  • THE OUTSTANDING RETROSPECTIVE OF JOAN JONAS AT TATE MODERN TEACHES US THAT GRIEF IS NOT LINEAR BUT HAUNTS US FROM WITHIN, WHENEVER IT PLEASES June 16, 2018
  • TATE MODERN’S ‘SHAPE OF LIGHT’ IGNORES THE LIQUID VIRTUES OF THE PHOTOGRAPHIC MEDIUM ONLY TO OBSESSIVELY SUBMIT THE VIEWER TO A POINTLESS VISUAL EXPLORATION OF WHETHER PHOTOS CAN EMULATE MODERNIST PAINTINGS OR NOT June 7, 2018
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  • THE COURTAULD GALLERY USED AS A COMMERCIAL PLATFORM FOR PROMOTING KATRIN BELLINGER’S COLLECTION OF DRAWINGS AS AN ART DEALER May 11, 2018
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