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Recent Posts

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  • A SHOW THAT CONVINCED ME THAT FRANZ WEST IS ONE OF THE GREATEST ARTISTS OF THE TWENTIETH CENTURY May 16, 2019
  • DON McCULLIN: THE PHOTOGRAPHER THAT PUT FASHION INTO REALISM WHEN AT HOME BUT WHEN ABROAD EMBRACED A ‘BRAVE’ WHITE MAN HUMANISM THAT REINSTATED THE IMPERIAL CLAIMS HE ALLEGEDLY OPPOSED March 24, 2019
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  • OXFORD’S ASHMOLEAN PRESENTS SUDANESE ARTIST, IBRAHIM EL SALAHI AS POST COLONIAL MODERNISM BUT WHAT THEY REALLY MEAN IS FINANCIAL GLOBALISATION July 14, 2018
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  • THE OUTSTANDING RETROSPECTIVE OF JOAN JONAS AT TATE MODERN TEACHES US THAT GRIEF IS NOT LINEAR BUT HAUNTS US FROM WITHIN, WHENEVER IT PLEASES June 16, 2018
  • TATE MODERN’S ‘SHAPE OF LIGHT’ IGNORES THE LIQUID VIRTUES OF THE PHOTOGRAPHIC MEDIUM ONLY TO OBSESSIVELY SUBMIT THE VIEWER TO A POINTLESS VISUAL EXPLORATION OF WHETHER PHOTOS CAN EMULATE MODERNIST PAINTINGS OR NOT June 7, 2018
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